Gallery
Please find here the approved applications to the Social Art Award 2021 – New Greening. The open call was closed on 1 May.
The next Open Call for the Social Art Ward will be opened in 2023.
37
Mapping the New Greening with aWucabs
522
Title:
Mapping the New Greening with aWucabs
Mapping the New Greening with aWucabs
Author:
Myriam Solar
Myriam Solar
Description:
Art, the Aesthetics of Complexity and the Biodiversity of Species co-create a future of change from the heart of creation and universal co-creation based on its 4 pillars that correspond to the patterns and principles of the wave universe as the ultimate nature of reality over the cosmos. These are: the Vortex, the Fibonacci Golden Hand, the Vibratory Patterns and the Electromagnetic and Quantum Fields with their Overlapping, Entanglement and Teleportation, creating input patterns in the form of spheres and spirals corresponding to the wave universe in a process composed of waves in motion that operate with their electric and gravity fields, containing the necessary patterns to grow in space until they are compressed into solids or specific matter. This foundational knowledge of the Nature of things allows to manifest an expanding understanding of a new order of the natural world from Art as an original source that connects with a larger universe from the atomic to the cosmic scale, including its evolution that opens up perspectives of impact about art and the great aesthetics that includes without distinction of species an unknown and emerging attribute of representation of species from the hybrid interaction between man and species, the unified field and the vortex, reaching its maximum aesthetic expression by incorporating as added value techniques of (MR)Mixed Reality and (AR) Augmented Reality with digital expression. A part of the images of this project is therefore born from the water reflecting the principles described above and showing as an example the connection between a strange attractor that exhibits a behavior in different trajectories, highlighting its basin of attraction, bifurcation points and the S-T affected by the force of gravity, making its appearance on it and the created figure, to which the digital expression is added (Mapping New Greening.jpg, Russian.jpg, BiobitsIII.jpg, WaveScream&WaveTurtle.jpg); the second part of it corresponding to the interconnection between interspecies with terrestrial gastropods, which allows to capture the universe manifested through a random and geometric language known as Physimorphism or Brownian motion, a mathematical expression of small irregular lines that are reflected in aesthetic forms by incorporating MR (Mixed Reality) and AR (Augmented Reality) techniques (Physimorphisme.jpg). In this broad context, aWucabs was born and its important advances are shown in Biofractal e-Museum with descriptions, records, visualizations and elements of the research processes that includes complex multilevel systems of geometric, biological, chemical type and quantum and electromagnetic fields in superposition, entanglement and teleportation. To these processes is added the investigation of Biodiversity in Nature of Species with records and visualizations of representation processes with terrestrial Gastropods based on Brownian motion geometry, visual recognition techniques, detection of limits and elements of artificial vision, identification of scenarios and architectures from Mixed Reality and Augmented Reality. The impact of such images has been shown in several exhibitions, symposiums and tribunes around the planet for more than a decade, serving as an introduction and opening to the change that current times require. Few people understand the vastness of the universe capable of co-creating possible futures, communicating ideas, concepts, practices and visions from art, water and biodiversity like Myriam who works with the fields of organic form as the ultimate nature of reality on Earth. She is a Transdisciplinary Artist and Naturalist who has created and launched the greatest work of research and artistic creation on the wave universe, expanding the scope of current knowledge and pushing the frontiers of the known world and never before imagined or formulated on Earth from interconnectivity on the quantum level to multilevel scale to illuminate the languages of tomorrow for art that includes all species and their creations. In this context of general vision and initial data appears the aWucabs (Art of the Wave Universe, Aesthetics of Complexity and Biodiversity in the Nature of Species), mapping the New Greening that is expressed in the record of forms from the universe of wave and the 4 pillars of universal creation and co-creation currently unexplored and unknown by three-dimensional art throughout the planet. To fill this gap, aWucabs creates and co-creates maps of the universe with its inhabitants by continent, showing in a single window the visualization of the information registered through the forms.
Art, the Aesthetics of Complexity and the Biodiversity of Species co-create a future of change from the heart of creation and universal co-creation based on its 4 pillars that correspond to the patterns and principles of the wave universe as the ultimate nature of reality over the cosmos. These are: the Vortex, the Fibonacci Golden Hand, the Vibratory Patterns and the Electromagnetic and Quantum Fields with their Overlapping, Entanglement and Teleportation, creating input patterns in the form of spheres and spirals corresponding to the wave universe in a process composed of waves in motion that operate with their electric and gravity fields, containing the necessary patterns to grow in space until they are compressed into solids or specific matter. This foundational knowledge of the Nature of things allows to manifest an expanding understanding of a new order of the natural world from Art as an original source that connects with a larger universe from the atomic to the cosmic scale, including its evolution that opens up perspectives of impact about art and the great aesthetics that includes without distinction of species an unknown and emerging attribute of representation of species from the hybrid interaction between man and species, the unified field and the vortex, reaching its maximum aesthetic expression by incorporating as added value techniques of (MR)Mixed Reality and (AR) Augmented Reality with digital expression. A part of the images of this project is therefore born from the water reflecting the principles described above and showing as an example the connection between a strange attractor that exhibits a behavior in different trajectories, highlighting its basin of attraction, bifurcation points and the S-T affected by the force of gravity, making its appearance on it and the created figure, to which the digital expression is added (Mapping New Greening.jpg, Russian.jpg, BiobitsIII.jpg, WaveScream&WaveTurtle.jpg); the second part of it corresponding to the interconnection between interspecies with terrestrial gastropods, which allows to capture the universe manifested through a random and geometric language known as Physimorphism or Brownian motion, a mathematical expression of small irregular lines that are reflected in aesthetic forms by incorporating MR (Mixed Reality) and AR (Augmented Reality) techniques (Physimorphisme.jpg). In this broad context, aWucabs was born and its important advances are shown in Biofractal e-Museum with descriptions, records, visualizations and elements of the research processes that includes complex multilevel systems of geometric, biological, chemical type and quantum and electromagnetic fields in superposition, entanglement and teleportation. To these processes is added the investigation of Biodiversity in Nature of Species with records and visualizations of representation processes with terrestrial Gastropods based on Brownian motion geometry, visual recognition techniques, detection of limits and elements of artificial vision, identification of scenarios and architectures from Mixed Reality and Augmented Reality. The impact of such images has been shown in several exhibitions, symposiums and tribunes around the planet for more than a decade, serving as an introduction and opening to the change that current times require. Few people understand the vastness of the universe capable of co-creating possible futures, communicating ideas, concepts, practices and visions from art, water and biodiversity like Myriam who works with the fields of organic form as the ultimate nature of reality on Earth. She is a Transdisciplinary Artist and Naturalist who has created and launched the greatest work of research and artistic creation on the wave universe, expanding the scope of current knowledge and pushing the frontiers of the known world and never before imagined or formulated on Earth from interconnectivity on the quantum level to multilevel scale to illuminate the languages of tomorrow for art that includes all species and their creations. In this context of general vision and initial data appears the aWucabs (Art of the Wave Universe, Aesthetics of Complexity and Biodiversity in the Nature of Species), mapping the New Greening that is expressed in the record of forms from the universe of wave and the 4 pillars of universal creation and co-creation currently unexplored and unknown by three-dimensional art throughout the planet. To fill this gap, aWucabs creates and co-creates maps of the universe with its inhabitants by continent, showing in a single window the visualization of the information registered through the forms.
Description:
Art, the Aesthetics of Complexity and the Biodiversity of Species co-create a future of change from the heart of creation and universal co-creation based on its 4 pillars that correspond to the patterns and principles of the wave universe as the ultimate nature of reality over the cosmos. These are: the Vortex, the Fibonacci Golden Hand, the Vibratory Patterns and the Electromagnetic and Quantum Fields with their Overlapping, Entanglement and Teleportation, creating input patterns in the form of spheres and spirals corresponding to the wave universe in a process composed of waves in motion that operate with their electric and gravity fields, containing the necessary patterns to grow in space until they are compressed into solids or specific matter. This foundational knowledge of the Nature of things allows to manifest an expanding understanding of a new order of the natural world from Art as an original source that connects with a larger universe from the atomic to the cosmic scale, including its evolution that opens up perspectives of impact about art and the great aesthetics that includes without distinction of species an unknown and emerging attribute of representation of species from the hybrid interaction between man and species, the unified field and the vortex, reaching its maximum aesthetic expression by incorporating as added value techniques of (MR)Mixed Reality and (AR) Augmented Reality with digital expression. A part of the images of this project is therefore born from the water reflecting the principles described above and showing as an example the connection between a strange attractor that exhibits a behavior in different trajectories, highlighting its basin of attraction, bifurcation points and the S-T affected by the force of gravity, making its appearance on it and the created figure, to which the digital expression is added (Mapping New Greening.jpg, Russian.jpg, BiobitsIII.jpg, WaveScream&WaveTurtle.jpg); the second part of it corresponding to the interconnection between interspecies with terrestrial gastropods, which allows to capture the universe manifested through a random and geometric language known as Physimorphism or Brownian motion, a mathematical expression of small irregular lines that are reflected in aesthetic forms by incorporating MR (Mixed Reality) and AR (Augmented Reality) techniques (Physimorphisme.jpg). In this broad context, aWucabs was born and its important advances are shown in Biofractal e-Museum with descriptions, records, visualizations and elements of the research processes that includes complex multilevel systems of geometric, biological, chemical type and quantum and electromagnetic fields in superposition, entanglement and teleportation. To these processes is added the investigation of Biodiversity in Nature of Species with records and visualizations of representation processes with terrestrial Gastropods based on Brownian motion geometry, visual recognition techniques, detection of limits and elements of artificial vision, identification of scenarios and architectures from Mixed Reality and Augmented Reality. The impact of such images has been shown in several exhibitions, symposiums and tribunes around the planet for more than a decade, serving as an introduction and opening to the change that current times require. Few people understand the vastness of the universe capable of co-creating possible futures, communicating ideas, concepts, practices and visions from art, water and biodiversity like Myriam who works with the fields of organic form as the ultimate nature of reality on Earth. She is a Transdisciplinary Artist and Naturalist who has created and launched the greatest work of research and artistic creation on the wave universe, expanding the scope of current knowledge and pushing the frontiers of the known world and never before imagined or formulated on Earth from interconnectivity on the quantum level to multilevel scale to illuminate the languages of tomorrow for art that includes all species and their creations. In this context of general vision and initial data appears the aWucabs (Art of the Wave Universe, Aesthetics of Complexity and Biodiversity in the Nature of Species), mapping the New Greening that is expressed in the record of forms from the universe of wave and the 4 pillars of universal creation and co-creation currently unexplored and unknown by three-dimensional art throughout the planet. To fill this gap, aWucabs creates and co-creates maps of the universe with its inhabitants by continent, showing in a single window the visualization of the information registered through the forms.
Art, the Aesthetics of Complexity and the Biodiversity of Species co-create a future of change from the heart of creation and universal co-creation based on its 4 pillars that correspond to the patterns and principles of the wave universe as the ultimate nature of reality over the cosmos. These are: the Vortex, the Fibonacci Golden Hand, the Vibratory Patterns and the Electromagnetic and Quantum Fields with their Overlapping, Entanglement and Teleportation, creating input patterns in the form of spheres and spirals corresponding to the wave universe in a process composed of waves in motion that operate with their electric and gravity fields, containing the necessary patterns to grow in space until they are compressed into solids or specific matter. This foundational knowledge of the Nature of things allows to manifest an expanding understanding of a new order of the natural world from Art as an original source that connects with a larger universe from the atomic to the cosmic scale, including its evolution that opens up perspectives of impact about art and the great aesthetics that includes without distinction of species an unknown and emerging attribute of representation of species from the hybrid interaction between man and species, the unified field and the vortex, reaching its maximum aesthetic expression by incorporating as added value techniques of (MR)Mixed Reality and (AR) Augmented Reality with digital expression. A part of the images of this project is therefore born from the water reflecting the principles described above and showing as an example the connection between a strange attractor that exhibits a behavior in different trajectories, highlighting its basin of attraction, bifurcation points and the S-T affected by the force of gravity, making its appearance on it and the created figure, to which the digital expression is added (Mapping New Greening.jpg, Russian.jpg, BiobitsIII.jpg, WaveScream&WaveTurtle.jpg); the second part of it corresponding to the interconnection between interspecies with terrestrial gastropods, which allows to capture the universe manifested through a random and geometric language known as Physimorphism or Brownian motion, a mathematical expression of small irregular lines that are reflected in aesthetic forms by incorporating MR (Mixed Reality) and AR (Augmented Reality) techniques (Physimorphisme.jpg). In this broad context, aWucabs was born and its important advances are shown in Biofractal e-Museum with descriptions, records, visualizations and elements of the research processes that includes complex multilevel systems of geometric, biological, chemical type and quantum and electromagnetic fields in superposition, entanglement and teleportation. To these processes is added the investigation of Biodiversity in Nature of Species with records and visualizations of representation processes with terrestrial Gastropods based on Brownian motion geometry, visual recognition techniques, detection of limits and elements of artificial vision, identification of scenarios and architectures from Mixed Reality and Augmented Reality. The impact of such images has been shown in several exhibitions, symposiums and tribunes around the planet for more than a decade, serving as an introduction and opening to the change that current times require. Few people understand the vastness of the universe capable of co-creating possible futures, communicating ideas, concepts, practices and visions from art, water and biodiversity like Myriam who works with the fields of organic form as the ultimate nature of reality on Earth. She is a Transdisciplinary Artist and Naturalist who has created and launched the greatest work of research and artistic creation on the wave universe, expanding the scope of current knowledge and pushing the frontiers of the known world and never before imagined or formulated on Earth from interconnectivity on the quantum level to multilevel scale to illuminate the languages of tomorrow for art that includes all species and their creations. In this context of general vision and initial data appears the aWucabs (Art of the Wave Universe, Aesthetics of Complexity and Biodiversity in the Nature of Species), mapping the New Greening that is expressed in the record of forms from the universe of wave and the 4 pillars of universal creation and co-creation currently unexplored and unknown by three-dimensional art throughout the planet. To fill this gap, aWucabs creates and co-creates maps of the universe with its inhabitants by continent, showing in a single window the visualization of the information registered through the forms.