Welcome to the Social Art Award 2025 – Online Gallery!
🌊 Dear friends of art and transformation, 🌊
A heartfelt thank you to all artists and creatives who submitted their powerful works for this year’s Social Art Award under the theme: “Planetary Healing – Blue Tribes for Ocean Health.” Your inspiring visions speak to ocean restoration, biodiversity, and reimagining our coexistence with all life forms on Earth.
After receiving 922 submissions from across all continents, and concluding a very active public voting phase, the Social Art Award now enters its next chapter:
🔹 What’s next?
The professional jury panel is currently reviewing and selecting the TOP 100 entries that will be featured in the official Social Art Award 2025 book. In parallel, the two public voting winners will move forward as wildcards into the final jury round.
🔹 Coming up:
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Shortlisted artists (TOP 10) will be announced by mid-June.
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Winners of the Social Art Award 2025 will be revealed at our Online Award Ceremony on July 2, 2025.
We invite you to stay connected as we celebrate the power of Social Art to drive dialogue, awareness, and collective transformation.
Let’s continue to amplify art as a force for Planetary Healing.
Malerische Spiegelung #12
Heike Kirsch
Creation: Oktober 2024 Material: Acrylic paint Tool: Spatula Background: Photo canvas Dimensions: 80 x 80 x 2 cm Frame: none Photo: Ferry Travemünde - Trelleborg in August 2022 The “Picturesque Reflections” series stems from a deep, personal connection to the Baltic Sea, on whose beaches the artist's feel-good places are located. The photographs were taken by Heike Kirsch on Fehmarn, in Kellenhusen and during ferry trips between Travemünde and Trelleborg in 2022 and 2023. They are more than just documentary snapshots, as they show emotional, direct experiences with wind, light, sand and water and are nourished by special moments with other people she spent time with there. The “Painterly Reflections” series is exemplary of an artistic practice that moves between the poles of aesthetic experience, critical awareness and ecological responsibility. Based on the photographs that Heike Kirsch has printed on canvas, the artist has developed a hybrid work format that combines photography and painting into a visually and substantively multi-layered dialog. The digital photos are deliberately not post-processed - the artist only chooses square image sections for canvas prints in order to break with classic visual habits in landscape photography. The painterly intervention is carried out with acrylic paints and palette knife above the horizon line and creates an abstract reflection of the sea and the beach, breaking up the superficial harmony of landscape photography. Color, structure and movement dominate the composition and displace expanse, perspective and longing. The artist counters the arbitrary coastal romanticism with an expressive dynamic and thus questions the glorified view of the Baltic Sea, while our own health depends on this ecosystem. This aesthetic refraction is no coincidence, but part of an artistic attitude that can be located in the context of contemporary art as a contribution to planetary healing. The destruction of the supposedly idyllic image of the Baltic Sea, which has been photographed and reproduced countless times, becomes a metaphor for the destruction of maritime ecosystems. As a NABU marine patron, the artist is familiar with the critical state of the Baltic Sea, which also makes her artistic work an act of awareness, reflection and resistance, whereby she confronts her own part in various areas of life. At a time when ecological crises often appear abstract and distant, these works open up an emotional approach: they disrupt viewing habits, touch us with their broken beauty and demand new perspectives on our relationship with nature. The painterly process itself becomes an act of pausing and reinterpreting. The power of these works lies in the tension between preservation and change, between connection and irritation: They invite us to view the Baltic Sea as a fascinating and diverse habitat and to connect with it in a protective way and become active.
Creation: Oktober 2024 Material: Acrylic paint Tool: Spatula Background: Photo canvas Dimensions: 80 x 80 x 2 cm Frame: none Photo: Ferry Travemünde - Trelleborg in August 2022 The “Picturesque Reflections” series stems from a deep, personal connection to the Baltic Sea, on whose beaches the artist's feel-good places are located. The photographs were taken by Heike Kirsch on Fehmarn, in Kellenhusen and during ferry trips between Travemünde and Trelleborg in 2022 and 2023. They are more than just documentary snapshots, as they show emotional, direct experiences with wind, light, sand and water and are nourished by special moments with other people she spent time with there. The “Painterly Reflections” series is exemplary of an artistic practice that moves between the poles of aesthetic experience, critical awareness and ecological responsibility. Based on the photographs that Heike Kirsch has printed on canvas, the artist has developed a hybrid work format that combines photography and painting into a visually and substantively multi-layered dialog. The digital photos are deliberately not post-processed - the artist only chooses square image sections for canvas prints in order to break with classic visual habits in landscape photography. The painterly intervention is carried out with acrylic paints and palette knife above the horizon line and creates an abstract reflection of the sea and the beach, breaking up the superficial harmony of landscape photography. Color, structure and movement dominate the composition and displace expanse, perspective and longing. The artist counters the arbitrary coastal romanticism with an expressive dynamic and thus questions the glorified view of the Baltic Sea, while our own health depends on this ecosystem. This aesthetic refraction is no coincidence, but part of an artistic attitude that can be located in the context of contemporary art as a contribution to planetary healing. The destruction of the supposedly idyllic image of the Baltic Sea, which has been photographed and reproduced countless times, becomes a metaphor for the destruction of maritime ecosystems. As a NABU marine patron, the artist is familiar with the critical state of the Baltic Sea, which also makes her artistic work an act of awareness, reflection and resistance, whereby she confronts her own part in various areas of life. At a time when ecological crises often appear abstract and distant, these works open up an emotional approach: they disrupt viewing habits, touch us with their broken beauty and demand new perspectives on our relationship with nature. The painterly process itself becomes an act of pausing and reinterpreting. The power of these works lies in the tension between preservation and change, between connection and irritation: They invite us to view the Baltic Sea as a fascinating and diverse habitat and to connect with it in a protective way and become active.


