News
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The public voting is now open till 28 December!
The Social Art Award, organised by the Institute for Art and Innovation, is now entering its next stage. The public voting starts today. Please check: www.social-art-award.org/voting – Presenting the longlist with the 230 most promising entries to the Social Art Award 2019 for public voting. The two most voted entries win a wild card to…
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Open Call for the Social Art Award 2019 is closed!
The Open Call for the Social Art Award 2019 under the topic “We are the People – Peaceful Revolutions” was closed on December 15. We are very impressed by 558 submissions that were contributed from artists coming from 65 countries from across all continents. The international jury selected 230 entries for the PUBLIC VOTING running…
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We are the people – Open Call for artists
Can art catalyze change? The Social Art Award 2019 (For post in Arabic click here.) Be it Hong Kong, Chile, Lebanon, Iraq, Brazil there are burning conflicts in the world right now, where people stand up peacefully united for their rights, their freedom, their present and their future. Looking back in history, 30 years ago in…
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About Katrin Korfmann
Katrin Korfmann studied Photography at the Gerrit Rietveld Academie and continued her research during her residency at the Rijksakademie, both in Amsterdam. Since the late 1990s her work has been exhibited internationally in galleries, museums, alternative art and public spaces. In addition to a practice as a visual artist, she is a senior lecturer at…
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About PSJM
PSJM is an artist duo formed by Cynthia Viera (*1973 Las Palmas/ES) and Pablo San José (*1969 Mieres/ES). They present themselves as an “art brand”, thus appropriating the procedures and strategies of advanced capitalism to subvert their symbolic structures. The brand-team has been included among the 100 most representative artists of International Political Art in “Art…
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About Kaethe Wenzel
Prof. Dr. Kaethe Wenzel (*1972 Aachen/GER) works about Utopian ideas, urban systems, and alternative concepts for society. She systematically co-opts techniques from survey to speculative fiction. Her projects function as dystopian/utopian footnotes to global history. They aim at participation, the destruction of hegemonial clichés and furthering communication – from the streets into the internet and…